The literary blogosphere is all a-twitter right now about how the
author Alice Hoffman posted more than two-dozen angry “tweets”
responding to a review of her book that ran in the Boston Globe. She
called the reviewer, Roberta Silman, a “moron” and “idiot” and
proceeded to post her phone number and email address online, suggesting
that her fans “tell her off.”
A bad idea, especially now that Hoffman’s twitter feud has been
reproduced all over the Internet — Hoffman has come off looking sour
grapes, unnecessarily bitter. Of course, she’s not the first author to
go public with her pique. Mary Elizabeth Williams had a great piece in Salon
yesterday that documented a long series of these kinds of feuds, from
Dave Eggers’s spat with the New York Times to the time when Richard
Ford spat on Colson Whitehead for a bad review.
As an author, though, I can empathize with Hoffman’s impulse. When
you’ve spent (as I did) four years of your life working on a book, it
starts feeling like your baby; and when a journalist then casually —
or, worse, cruelly — dismisses your efforts in a piece they churned out
in just a few hours, it’s pretty hard to take this lying down. And
unfortunately, the low-attention-span theater that is the internet has
rewarded us with an era of critics (film, book, TV, you name it) who
use snark as their primary writing tool. After all, it’s so much easier
to be cruelly funny than it is to be measured, and apparently readers
love the juicy thrill of those kinds of hit pieces. It’s criticism as
shark tank, with your book as the bait.
In my journalism days, I was guilty of this kind of criticism too,
and I wrote a fair number of reviews that, looking back, seem
unnecessarily catty or snarky or mean. These days, I cringe at the
thought of even writing a review at all, knowing all too well what the
author on the other end might be feeling. (I can’t even tag a book on
GoodReads with less than five stars without feeling bad about
inflicting pain.) Not that I think every book deserves a good review,
but I wish more critics would take all this into consideration before
they tear a work apart with vicious glee.
So yeah, I can relate to Alice Hoffman, even if she did overreact.
But I hope she turns her Twitter account off for a while, in her own
best interest.